T.S. Eliot wrote in his poem The Waste Land ‘You cannot say, or guess, for you know only / A heap of broken images…’. Add your line of thought to this Shared Google Doc #DS106 poem and see if we can get to 106 lines of thought that are a collection of images, not broken. Or tweet @wentale.
And then it took off. Kevin made a word cloud
People sampled the poem, a stanza echoed in my head:
Take this hammer, take this chisel Take some time to work alone Shatter the surface of intentions Surface this collaborative poem
I needed to make this tangible – why did I start thinking about papier mache? … And so the idea was born. I printed the poem and ripped it up. I found a saucer and diluted glue. Over a few days I pasted and pasted. I saved my favourite stanza and glued it to the middle. I painted with fountain pen ink, I sprayed with varnish.
Sometimes we don’t know what we need until it happens. This grounded me, relaxed me, took me out of myself. It’s on a shelf in my line of sight to remind me to pause sometimes and simply be.
Today I gave a presentation for the #SocMedHE20 conference. It was a conference with a difference as it was all online – presenters were asked to submit up to 5 tweets which we then scheduled to be tweeted from the conference account. Here’s mine – partly done to nudge myself to write a paper about it (the conference will have a special issue of the Journal of Social Media for Learning). Here’s what I said as a warm up:
My basic idea is that, at least for those of us who practice and share out in the open, learning can be seen as a performance – in a similar way to the thought that teaching is a performance (the sage on the stage). I’ll be using #CLMOOC and #DS106 to illustrate my answer.
This is my Granny, Constance May Hobbs. Her father had a soft furnishing company that went to the wall during WW1, so she left school at 14, but was fiercely proud of her teacher husband, her 14 children and all her grandchildren. She was so talented at crafts – she painted, knitted, embroidered. My favourite flower vase was made by her and I have two of her embroidered cushions on my sofa.
When Grandpa died I went to live with her – she taught me how to read cookery books and adapt recipes, how to love the evening skies, how to drive faster than my mum thought safe (she was like the Red Queen in a passenger seat – always urging me to “go faster”).
I’ve been involved in open learning for several years now. It started almost by accident, when some guy called Dave ran a crazy learning experience that we called rhizo14, carried on serendipitously into a sister experience called CLMOOC, and gradually became a part of my daily ritual as I started participating in Daily Creates. Much of what happens in these open, online experiences can appear to be random and unstructured, but beneath and behind them is a set of core principles and values and a tried and tested design. Those can be broadly summed up as belonging to an educational framework called connected learning. That’s helped me to learn some tricks to help all of us (staff and students) to teach and learn online. They’re at the end of this post, for those wanting to skip straight to the punchline.
Connected learning is a work in progress. It begins from an (intuitively plausible, I think) set of beliefs in the value of learning that is interest-driven, peer-supported and academically relevant, and harnesses the power of social media in order to make these types of learning better integrated into learners’ lives while attempting to make it accessible to anyone who wants to participate (equity is a core value). As such, it is platform and technology agnostic, although the values of open education are central to what practitioners do.
At the heart of connected learning is the thought that we live, nowadays, in a participatory culture. Sometimes people describe this as “Web 2.0”, but participatory culture is actually a richer concept than that. Henry Jenkins contrasts the concept of “interactivity”, which he describes as a relationship between a customer and a software company and a property of some social media platforms, and “participation” which is a relationship between people (which can be facilitated by use of social media). This means that we can’t take student engagement for granted, we have to explicitly design it into our courses. For those familiar with the terminology, I might use this distinction to explain the differences between xMOOCs and cMOOCs. I say this to note a difference, and not to imply that cMOOCs are always superior – knowledge acquisition and participation in learning are not, imo, contradictory concepts – each has its place. Anna Sfard makes this point better than I could.
To an outsider, learning in the open can look unstructured and random, and those new to this type of learning and teaching can feel overwhelmed, out of their depth, unsure of their own abilities, frustrated, scared or even angry. This goes for both learners (often called participants) and educators (often called facilitators). This is why it is so important to design these experiences carefully, and to think carefully about the types of support that can be provided. I think, in the interesting times that lie ahead of us, we are all going to need all the support we can get – both to keep ourselves going, and to help our learners. Teaching and learning online can be an isolated experience, as those of us who do it know only too well.
So how can all of this help us now? First of all I should stress that I’m not suggesting that everybody immediately abandons whatever they are doing and redesign their courses so that they are connected learning experiences – I’m not trying to make more work for anyone. What I am going to tell you about is some tried and tested strategies that have helped the community that I am a part of to emerge and continue. I’m not pretending to have invented any of these strategies either – just to have used or experienced them for myself.
Remember that your learners will be in many different time zones, some of which will have better connectivity than others. People who can’t participate are likely to feel very left out and uncared for. Think about asynchronous activities as well as synchronous ones.
Some learners will have state of the art technology, others … won’t. Think about designing activities/resources that can load on different devices.
Realise that there is no such thing as a digital native: some (staff and students) will find it easy to adapt to this new way of teaching and learning others … won’t. We can’t predict who will and won’t adapt. Think about how to support staff and students who just can’t work out how to log in/submit/engage.
Don’t rely on one platform or one mode of delivery. Systems could be overloaded, or not available for a particular device, or not available in a geographical area (YouTube content, for example, can be restricted by geographical area). Yes, this could mean duplicating important content/messages in order to ensure that everyone who needs can access them.
Don’t force anyone to use a particular platform (other than official, institutionally supported ones). Your students might well have ethical objections to using a particular one. Respect those. Never require anyone to sign up to a (non-institutionally supported/“official”) platform in order to participate. Data rights are human rights.
Tap into the altruism of others. Nurture a community that helps each other (both staff and students). Model this yourself, watch for others doing it and publicly thank them. Think about the types of roles that might be needed to build a learning community: as well as you (the teacher), you might look for particularly active and/or knowledgeable students to become mentors.
Structure informal activities that people can engage in if they want. These don’t have to take a lot of time to design – you might ask students to share something unique about where they are living, to tell others about their hobbies, pets, or family. You could ask them to do this by sharing a small image, a link to a website, or a forum post. These help participants to feel that they belong and can build a sense of community over time.
And, finally, reach out to others around you. Use your networks and don’t be afraid of saying that you are finding something hard. My initial experiences of all of this was a baptism of fire. Those who watch me nowadays often think that I always find it easy to participate, and have always found it easy, but that’s not true. In fact, I nearly dropped out of an early connected learning experience (CLMOOC 2015) because I was feeling lost, confused and overwhelmed. What happened next was, I realise, due to the carefully designed support structure that was in place. I shouted out into the void and someone answered. The rest, as they say, is history.
It took me a long time to start doing the Daily Create. I wanted to participate, but I was not sure I should, or could. Although it’s an open community, I still felt that I’d be an interloper, rudely bursting into a private conversation (and I’ve heard others say this about similar situations, so I know that this is an issue for open educators, but I am going to side step this for today). And the people participating all seemed so proficient – they seemed to do it all so expertly and effortlessly that I was sure that my feeble efforts would not be worthy (again, there’s lots here to tease out that I will pass over for now). Still, I finally took the plunge on March 19th 2016, and now I have 1148 submissions under my belt. For the last couple of years I have made sure to submit something every single day. Sometimes it takes me a few minutes to submit my daily create, other days it takes a few hours, but every day I make sure that I do something – it’s now part of my everyday practice. Sometimes it’s a real struggle to find the time, and sometimes I feel that I am not putting in the effort that I should, but doing something every day helps me in ways I don’t always recall at the time.
So this is my resolution for 2020 – to keep on keeping on. To submit to the daily create every day, to continue with my doodling challenges, and to rejoice in playful learning.
One reason that I like participating in daily drawing challenges is that it encourages me to try to draw something new, rather than doodling the same shapes that have become familiar to me. So when I saw that it was a poinsettia for Thursday’s drawing I was a bit daunted, but luckily I had a few minutes before going into a workshop to do and image search. I searched for poinsettia outline and scrolled through the results to get a feel for the basic shapes. Then I grabbed some crayons and a notepad and headed off to the seminar room. As the prof spoke, I sketched some basic shapes in pencil without worrying too much what the end result was going to be – I wanted to get the shape of the petal/leaf right. Then, when I was confident drawing them freehand I got out my 0.5 micron pen (I usually have one of these in my bag) and drew the basic outline. Then I got out my crayons (I could sense at this point how envious the others at my table were that I had something to occupy my hands!) and coloured it in. The end result is not perfect – I’d meant to sketch some more leaf detail on the red petals, but the workshop was over.
Imagine how pleased I was to see this post by Sheri talking about how she’d taken inspiration from my drawing – this is connected learning at its best.
I’ve let my doodling lapse recently – I’ve been busy working, and writing, and worrying. I miss it though – it’s good to switch off for a bit and relax. So I am thrilled that the CLMOOCers are joining up with a sister project, Write Out, for a month of doodles during October. Why not join us?
I submitted a draft of my PhD discussion chapter yesterday. It’s over 7,000 words, so I won’t post it all here! I can never remember the actual title of my thesis – but I am looking broadly about how peer interaction helps to support learning, and I am using CLMOOC (and a bit of DS106) to think about the question. My draft thesis statement at the moment is this:
CLMOOC is best conceptualised as being an affinity space, or affinity network, in which the principles and values of connected learning support and facilitate a participatory culture of lifelong learners who engage in reciprocal and collaborative practices such as remix. This ethos of creative playfulness leads to meaningful learning because members of CLMOOC perceive themselves to be in a safe space where they can experiment and learn new skills without fear of ridicule or censure, and can ask openly for help and advice as they need it. Much of the learning that occurs in CLMOOC is emergent and thus unplanned in one sense, and the structure and ethos of CLMOOC are carefully designed so that they support and facilitate this emergent learning. However, although this structure is carefully designed, this design is not immediately obvious.
I’ve done various types of analysis – some social network analysis (using TAGS), and a textual analysis of some CLMOOC tweets. To do this, I focused on the 2016 summer pop-up, as looking at the 40K tweets I have in my TAGS database would have taken me years. My summary of that analysis is this:
CLMOOC is a highly connected, non-hierarchical community of lifelong learners with an ethos of social justice who support each other and learn through creative play. In summary, CLMOOC has the following features:
Connected community: the social network visualisations in particular show that CLMOOC is a highly connected community of learners, and the thematic analysis shows that many members feel a sense of belonging and being connected to each other;
Communicative conversations: the content analysis shows that many of the conversations in CLMOOC are more than just informal chit-chat. They are:
highly cognitive and meta-cognitive: members talk about teaching and learning and consider how to apply what they are learning to their own teaching practices;
highly social and supportive: members praise each other, are not afraid to show their feelings for each other and their appreciation for what others are doing;
Creative and collaborative: the thematic analysis shows that CLMOOC is a maker space where participants engage in reciprocal creative play and that this leads to serendipitous and surprising happenings and emergent learning.
I am calling CLMOOC an affinity space, or affinity network, based on my reading of writings by James Paul Gee and Mimi Ito (especially the book some of us recently read together), and characterising the interactions that we engage in as HOMAGO. In order to explain this, I’m adding some examples of the sorts of collaborative and reciprocal activities we play around with. I’m also adding pictures to make it look pretty (all CLMOOC designed with CC licences, of course. At the moment my examples are:
Off the cuff play: I’ve used our giffing around as an example here,
Volunteer suggestion: I’ve used the badges from CLMOOC 2016, and Ron’s artwork,
Shared practice: I thought Silent Sunday would be good here. with a collage of a few pf the pictures,
Collaborative: I’ve chosen Story Jumpers for this, with a pic of Miss Direction,
Transcending the virtual: well, the postcards have to be mentioned, don’t they? I have a pic of my pin board to illustrate this,
I have not added this yet, but I will write something aboutdaily rituals – either the daily creates from DS106, or the daily doodles some of us have been drawing.
I’m also suggesting that the broad values we subscribe to are those of connected learning: that is, learning that is socially connected, interest-driven, and oriented towards educational opportunity.
In the next section, I’m going to look at the design of CLMOOC, using papers written by Anna, Christina, Mia and Stephanie as a starting point.
So what do you think? Does this sound like CLMOOC to you? What have I missed out? What would you want me to say about CLMOOC?